上卷
一 文学批评自身价值的实现···························3
  （一）文学批评的价值··························· 3
  （二）对于批评的批评··························· 7
  （三）标准的颠覆及其相对性问题······················11
  （四）从艺术对现实的关系看批评标准····················17
  （五）真理的后现代境地与批评的价值实现（上）···············20
  （六）真理的后现代境地与批评的价值实现（下）···············27
  （七）诡辩术及其在批评中的运用······················35
  （八）文学批评与文化批评·························39
  （九）信仰危机与价值遮蔽·························45
二 文学批评价值体系的哲学探讨························ 59
  （一）文学批评与价值体系·························60
  （二）哲学“价值一般”范畴与“价值学”··················62
    1．价值范畴的四种类别························· 66
    2．价值判断中的同义反复问题······················ 68
    3．“价值一般”范畴与马克思评瓦格纳·················· 71
    4．价值范畴与现代哲学························· 76
三 价值与真理································ 80
  （一）关于“事实真理”与“价值真理”····················81
  （二）关于所谓“猫论”···························92
  （三）科学研究中的真理与价值问题······················97
  （四）价值的期待与实现—需要／满足····················107
  （五）人文／科学／真理··························114
    1．真理与主体价值选择························· 115
    2．过程真理与“事后真理”······················· 117
    3．人文知识与人生幸福························· 119
    4·“命运”与“事实”能分离吗？···················· 123
四  价值与善································126
  （一）对“善”之发生学考察························127
  （二）文学批评与功利主义伦理学······················137
  （三）“道德批评”与“政治批评”问题···················147
  （四）善与恶—目的与手段·························158
  （五）自由、人的价值与历史的终结·····················163
五  价值与美································175
  （一）关于“美是价值”说·························175
  （二）文本意义的客体性及其解读······················183
  （三）美与使用价值····························192
  （四）美感与功利观····························200
  （五）形式的价值·····························206
  （六）美学与文化全球化问题························219
    1．美学“在场形而上学”的遮蔽······················221
    2·“解魅’·一“去圣”与文化全球化···················229
    3·美学新乌托邦—在场的不在场性·····················235
    4·“艺术的终结”与美学的敞开······················240

下卷
第一编 人·主体性·批判的理性
一“人是马克思主义的出发点”吗？······················245
二“马克思主义出发点”问题再探·······················259
  （一）《手稿》已经把费尔巴哈和赫斯
        “远远地抛在后头”了吗？······················260
  （二）“现实的人也就是异化的人”吗？···················265
  （三）马克思主义的出发点究竟是在“人自身”
        还是在“人之外”呢？························271
三  理性的批判与批判的理性·························281
    —文学创作和批评的主体性
  （一）理性向自身的追问··························281
  （二）“物化”时代文学的“反拜物”性···················289
  （三）批判的理性在新时期文学中的阐释功能·················296
  （四）“启蒙”与“批判的理性”
        ——人文知识分子的使命·······················307

第二编 现代性·后现代性·知识谱系
一  学术史的客体性与主体性·························313
  （一）学术史怎样成为问题？························314
  （二）1990年代学术史面对的文化语境····················320
二 关于“新历史主义批评”之再探······················ 326
  （一）新历史主义的历史机缘························328
  （二）新历史主义的操作··························339
  （三）新历史主义批判···························345
三 后现代“知识”与“游戏”························ 349
  （一）“现代性”、“大叙事”与“知识本性”················349
  （二）“合法化”的解除与“悖论逻辑”的合法化···············354
  （三）知识分子丧钟····························356
  （四）对利奥塔“知识报告”之批判·····················361
  （五）“游戏”说—从“城邦”到“游戏机”·················365
  （六）加人“后”乐园中罗蒂的“后现代文化”················369
四 孔子与老庄思想与后现代语境······················· 374
  （一）孔子的功利主义—义利观·······················375
  （二）老庄学说中的“道”、“理”与“虚无”················380
  （三）道德虚无主义的批判意义及其局限性··················384
五 民粹主义与启蒙主义在中国························ 392
  （一）作为启蒙主义对立物的民粹主义····················393
  （二）关于民粹主义的“东方化”问题····················396
  （三）“走资本主义道路的当权派”与失去的所指···············403
    第三编“有梦有魔”·“无梦有魔”·“无梦无魔”
一  论巴尔扎克现实主义的根源························414
二  新时期文学存在主义循迹·························426
三  从“受虐”到“自虐” ························· 440
    ——当世中国文人魂的一路旅程
四  文化虚无与实用笼罩着的“痞” ····················· 460
  （一）作为“非个性化”文学的“痞子”群像·················462
  （二）“痞”性文学的文化性格特征·····················468
  （三）夹在“虚无”与“实用”中的“痞”··················473
  （四）“痞”之美学、道德与历史定位····················476
五  后现代幽默混浊与“世俗欢乐”······················482
六“关中大儒”非“儒”也··························488
    ——《白鹿原》解读及其美学品质刍议
七  走向“超大叙事”的东方文化 ······················ 504
    ——读谭盾后现代音乐文本《天地人一1997)
八  末世的反叛·······························507
    —百年“前卫”运动的最后一笔 ····················· 510
九  张艺谋：现代一后现代一后之后 ····················· 519
  （一）在传统一现代一后现代之间······················520
  （二）后现代艺术的“真实”与“再魅化”可能················525
  （三）在双向探索的道路上·························531
  （四）为后殖民批评中的张艺谋一辩·····················534
十  什么是我们可以抉择的？·························541
  （一）改革存·不改革则亡·························541
  （二）从来就没有什么救世主························545
后记····································548